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By Leo Brouwer

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Additional info for La musica, lo cubano y la innovacion (Music, cubanship and innovation) (Essays)

Sample text

Luda siente el danzón como t rasfondo' es por eso que. cn 1<1 rnüsica debo sugerir: t o n toda la suli lcza requerida por la tr<1ma i'lJgunos «baqueteos" y «fiorituras » ou~ para el cubano no pa~nn de largo. ' • CRtTICA DE LA RAZÓN SONORA O CONCLUSIONES SOURE EL FOLKLORE Antes de ,comentar a grandes trazos la tercel'~ LucJa, hay qu e situar conceptos que, 0 72 0 sin pedanterías, enlnll1 en el terreno de lo estét ico . El dalo fo lkl órico lleva el peligro repa rtid o de la mam:ra siguiente: a) Todo folklore lleva un ritmo.

_ _ _ , LA MúSI CA EN EL C INE En el gráfico 1 vernus la red que pro pone el GES y q ue parte desde la inves tigación (información) y pasa por la creaci ón mis· ma ll egan do hasta e l producto terminado. Po r supuesto, alguna terminología es condenable - co mo los términos folklore y músicu seria, por ejemplo--, pero a fa lta de soluciones etimológicas nos Lr'eferimos a estructuras del lenguaje convencional para ser entendidos. De aquí se- desprende la necesidad de codificar un lengua je técnico operativo que renueve estos m ismos térmi· nos pues tos en dud i:t por su ineficacia.

Musical icé fu e Lucía 196 ... IUlInera, d e Joscfto Fenlálldez, q ue nan'3ba como en ]05 tiempos aforullladamc nl t' idos en la «crónica roja" , los sucesos o aSIIIltos (tradición heredada del romance CSJlu ñol, aunque los trovadores lo ignoren) r:J 73 o principio, me provocó la necesidad Gualltallamera distinta y (: uhnn a (no tan sonora como la de la Orq u eS I? de Músi ca Moderna) que no podia "el ' 11l el producto excelentemente terminado de la importación, ni la elementalmente o l'iginal del autor.

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