Nationalism

Download Hunt the Devil : A Demonology of US War Culture by Robert L. Ivie, Oscar Giner PDF

By Robert L. Ivie, Oscar Giner

Hunt the Devil is a well timed and illuminating exploration of demonic imagery in US warfare tradition. In it, authors Robert L. Ivie and Oscar Giner research the origins of the satan determine within the nationwide psyche and evaluate a variety of examples from US historical past of the demonization of America’s perceived rivals. Their research demonstrates that American army deployments are usually a part of a cycle of legendary projection in which the satan again and again looks anew and needs to be exorcised via redemptive acts of warfare, even on the price of curbing democratic values.
 
Meticulously researched, documented, and argued, Hunt the Devil opens with modern pictures of the US’s international struggle on terror within the aftermath of 9-11. In 5 chapters dedicated to the demonization of evildoers, witches, Indians, dictators, and Reds by means of American writers, in presidential rhetoric, and in pop culture, Ivie and Giner express how using demonization within the struggle on terror is barely the latest manifestation of a method that has recurred all through American history.
 
In a 6th bankruptcy, the authors introduce the archetype of the Trickster. although no longer against the satan in keeping with se, the Trickster’s democratic impulses have frequently supplied a corrective antidote to the corrosive and distorting results of demonization. Invoking the framework of Carl Jung’s shadow element, Hunt the Devil deals the Trickster as a determine who can holiday the cycle of demonization and war.
 
The function of the mythic satan within the American psyche has profound implications, not only for American international relations and using American palms on the planet, yet for the potential of family peace inside of an more and more different society. Hunt the Devil offers a lot of curiosity to readers and students within the fields of battle, rhetorical reviews, American reviews, US political tradition, Jungian psychology, and mythography. 

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Additional resources for Hunt the Devil : A Demonology of US War Culture

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Black Witch of Salem Tituba was a woman, a slave, an immigrant, and a foreigner to Puritan ­society—a perfect symbol of Otherness for seventeenth-­century Massachusetts and for our own time. Had she not been sold by Barbados merchants to Samuel Parris (parish minister of Salem Village in 1692) in the West Indies, she also would have been considered illegal. The legality of her status was sanctioned by her servitude as a slave. ” The Other, once defined, becomes a receptacle for fresh projections of Otherness.

An unacknowledged Orwellian state was necessary to protect democracy from its enemies. ”81 The diabolical incantations of presidential war rhetoric functioned overall as an inducement to evacuate the po­liti­cal content of democracy, leaving a largely empty signifier in its place. Although officially promoted, a narrowly circumscribed, truncated, and distorted simulacrum of democracy suspended ad infinitum was the diminished extent of its symbolic import. Shriveled, shrunken, and emptied of meaning, democracy was relegated to the degraded role of a po­liti­cal cipher—a ready and reliable but badly disfig­ured vehicle for sublimating a heavy burden of anxious self-­loathing and transferring that unwanted load to an external object of terror.

Had she not been sold by Barbados merchants to Samuel Parris (parish minister of Salem Village in 1692) in the West Indies, she also would have been considered illegal. The legality of her status was sanctioned by her servitude as a slave. ” The Other, once defined, becomes a receptacle for fresh projections of Otherness. In time, Tituba’s features have been colored by our own projections. ” In The Cru­ cible, Miller describes her as a “Negro slave,” and so she was portrayed in Nicholas Hytner’s 1996 film of the play.

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