Information Systems

Download How to Build a Digital Library (2nd Edition) (The Morgan by Ian H. Witten, David Bainbridge, David M. Nichols PDF

By Ian H. Witten, David Bainbridge, David M. Nichols

'How to construct a electronic Library' is the one ebook that gives the entire wisdom and instruments had to build and preserve a electronic library, whatever the dimension or function. it's the completely self-contained source for people, corporations, and associations wishing to place this strong software to paintings of their burgeoning info treasuries. the second one variation displays new advancements within the box in addition to within the Greenstone electronic Library open resource software program. partially I, the authors have further a whole new bankruptcy on consumer teams, person aid, collaborative searching, person contributions, etc. there's additionally new fabric on content-based queries, map-based queries, cross-media queries. there's an elevated emphasis put on multimedia through including a "digitizing" part to every significant media kind. a brand new bankruptcy has additionally been additional on "internationalization,"  which will tackle Unicode criteria, multi-language interfaces and collections, and concerns with non-European languages (Chinese, Hindi, etc.). half II, the software program instruments part, has been thoroughly rewritten to mirror the hot advancements in Greenstone electronic Library software program, an the world over well known open resource software program instrument with a complete graphical facility for developing and preserving electronic libraries. As with the 1st version, an internet site, carried out as a electronic library, will accompany the e-book and supply entry to paint types of all figures, on-line appendices, a full-text sentence-level index, and an immediately generated word list of acronyms and their definitions. furthermore, demonstration electronic library collections could be integrated to illustrate specific issues within the ebook. to entry the web content material please stopover at, http://www.greenstone.org/howto

*Outlines the background of libraries-- either conventional and digital-- and their impression on current practices and destiny instructions. *Written for either technical and non-technical audiences and covers the complete spectrum of media, together with textual content, photos, audio, video, and comparable XML criteria. *Web-enhanced with software program documentation, colour illustrations, full-text index, resource code, and extra.

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Extra resources for How to Build a Digital Library (2nd Edition) (The Morgan Kaufmann Series in Multimedia Information and Systems)

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Content is marked with the CC mark, which does not mean that copyright is waived but that freedoms are given to others to use the material in ways that would not normally be permissible by default under copyright. The freedoms allowed by licensing all go beyond traditional fair use, but their precise nature depends on the choice of license. One license permits any use so long as attribution is given. Another permits only noncommercial use. A third permits any use within developing nations. Or any educational use.

So, if you take a copyleft work, make changes and distribute a modified version, then other people automatically acquire the same rights (to change and distribute) that you had received. A prominent figure that helped establish this form of licensing is Richard Stallman. In 1984 he left MIT and founded the GNU Project and set about developing—and persuading over time others to help develop with him—a comprehensive suite of general purpose software. ) The produced software was made available under the terms of the GNU General Public License (GPL), encapsulating the notion of copyleft, and at the time a radical departure from how mainstream software was distributed.

The impetus behind the changes was the desire of large, powerful corporations to protect a minuscule number of cultural icons; opponents call them the “Mickey Mouse” copyright extensions. , Italy) the extension was retroactive, so that works already in the public domain were suddenly removed from it. The upshot is that copyright protection ends at different times depending on when the work was created. It also begins at different times. In the United States, older works are protected for 95 years from the date of first publication.

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