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Developments in The fast move towards using CTP has opened up opportunities for making a switch to screening technology higher resolution screens and to the usage of FM screens. This not only improves print quality, but can also simplify the prepress production and reduce problems of unwanted artefacts in the print such as moiré. A high-resolution AM screen reduces visible rosettes in print, and therefore also reduces the risk of visible moiré. As long as there are rosettes, there is a risk of moiré, but the second generation FM screens more or less eliminate this risk and the recently developed hybrid screens sit somewhere in between, hoping to offer the best of both worlds.

Some of the softproofing systems on the market already support JDF, but this again is an area where there is room for improvement in several solutions. Some printing companies, like RR Donnelley, builds its own softproofing systems, but for most printers and publishers it is probably wiser to turn to some of the RIP system vendors who offer collaborative softproofing functionality. This includes RIP systems from Agfa, Esko, Heidelberg, Kodak, Rampage and Screen. There are also several standalone systems from vendors like Colorbus, Cyansoft, Dalim, ICS and Web Proof.

There are also web offset DI presses on the market, from MAN-Roland and Wifag. Often the prepress work is done by the press operator, which requires a very easy-to- use user interface in the RIP system connected to the DI press. This again illustrates how the borders between the prepress department and the press room are blurring, and why tight cooperation between them is essential. 1 An example of a fully automated DI press Source: Screen The Screen Truepress 344 is a fully automated direct imaging press, including automatic density control in the press control system.

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