Download Das christlich-koptische Agypten in arabischer Zeit (Teil 6: by Stefan Timm PDF

By Stefan Timm

This compilation lists, in response to literary resources, crucial Egyptian websites with Christian groups, church buildings, cloisters and dioceses in Arab instances. The paintings indicates that the increase years of Egyptian Christianity have been in the course of Byzantine occasions but additionally, that there has been lively Christian existence in Egypt throughout the centuries of Muslim reign.

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Additional info for Das christlich-koptische Agypten in arabischer Zeit (Teil 6: T-Z): Eine Sammlung christlicher Statten in Agypten in arabischer Zeit, unter Ausschlua von ... VORDEREN ORIENTS (TAVO) B) (German Edition)

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Line x+: ). (rd) is probably to be translated ‘soles’ (Hagen a: ; pace Janssen : Line x+: The exact nature of mrht . is disputed, but seems often to have had a generic meaning of ‘fat’, ‘ointment’, ‘oil’, or similar; see Koura (: –) for a discussion of the relevant material, and cf. Sherman (: ). Line x+: The kbs, ‘grain basket’ was a fibre basket of a standardised size, the volume of which was  oipe, or just under  litres; Janssen (: ) noted that the use of the word for this object may be local to Deir el-Medina.

Carnarvon (Posener : pl.  line ), which has been translated as Tablet II has sfn [. ] k. t . ‘The merciful—the cow bears for him’ (Parkinson : ), but the sign left untranscribed by Posener (: ) may suggests that that text is corrupt. t=f, ‘he multiplies his cattle’, makes sense in this context. Line : Restoring mn"ı, ‘herdsman’ at the beginning of the line, after Carnarvon Tablet II (Posener : ). ) is followed by the ‘pause’-sign in red, and a date. Such dates have been interpreted as a sign that copies are scribal exercises (McDowell ), but if so the copyist was no beginning student; the hand is practised.

Cf. Luiselli : ). Line : The variant on O.  is illegible but is certainly not identical to that of P. Boulaq ; the space available and the versepoint before mrr confirms this, as do the traces towards the end of the line. Lines –: The final three lines seem to contain traces of a colophon. Only the beginning of this is preserved on line , but because the object is largely complete it seems most likely that the final two lines, of which only illegible traces are left, also formed part of the colophon, rather than a new and unrelated text.

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