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Download Contemporary Musicians: Profiles of the People in Music: by Julia Rubiner PDF

By Julia Rubiner

Modern Musicians profiles the colourful personalities within the track who create or effect the
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information on one of these wide variety of artists regardless of prepared and ongoing public curiosity. to discover biographical
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Extra info for Contemporary Musicians: Profiles of the People in Music: Volume 11

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But it wasn't until his introduction to the recordings of Charlie Christian that Burrell began to take a serious interest in the guitar. The amplified sounds of Christian's smooth horn-like phrasing inspired Burrell to devote himself to the study of his instrument. At Miller High School in Detroit, Burrell's music advisor, Louis Cabara, furthered the young man's knowledge of composition and theory. Aside from offering first-rate instruction, Cabara furnished valuable advice concerning the philosophical aspects of music.

With Billie Holiday) Lady in Satin, Columbia. (With Jimmy Smith) Go for Whatcha Know, Blue Note. (With Mercer Ellington) Hot and Bothered, Doctor Jazz. (With Jimmy Ramey) Two Guitars, Original Jazz. Sources Books Baillet, Whitney, 56 Portraits in Jazz, Oxford, 1986. Gillespie, Dizzy, To Be or Not to Bop, Doubleday, 1979. Lyons, Len, and Don Perlo, Jazz Portraits, Quill, 1989. , The Jazz Guitar: Its Evolution and Its Players, Ashley, 1980. Periodicals Down Beat, July 1958; June 1971; June 1972; July 1972; July 1986; September 1993.

Another strong affinity grew out of Bryson's touring and recording work with Roberta Flack. Reviewing one of their collaborations, Bom to Love, for Stereo Review, Phyl Garland reported, "The album's quality is established immediately with the opening selection, Tonight, I Celebrate My Love,' a fine ballad that has the appeal of a sure hit as well. Bryson steps into the spotlight alone on the title track, his own "Born to Love," which should solidify his position as one of today's more gifted writers and performers of intimate music.

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