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14. “Fight against Subway Graffiti Progresses from Frying Pan to Fire,” New York Times, January 26, 1973, p. 39. Bureau of the Budget of the City of New York, Work Plan—Graffiti Prevention Project (February 26, 1973), p. 2. , p. 3. , p. 2. Richard Goldstein, “This Thing Has Gotten Completely Out of Hand,” New York Magazine, March 26, 1973, pp. 35–39. “The Graffiti ‘Hit’ Parade,” New York Magazine, March 26, 1973, pp. 40–43. Murray Schumach,“At $10 Million, City Calls It a Losing Graffiti Fight,” New York Times, March 28, 1973, p.

Besides . . it doesn’t harm anybody. I work. I pay taxes too. Why do they go after the little guy? ”2 The Times article presented Taki as an engaging character with a unique and fascinating hobby, and this seemed to have a profound effect on the city’s youth. Taki became something of a folk hero, and the ranks of the graffiti writers increased enormously. However, though each day brought numerous new writers to the walls and the subways were marked with names from top to bottom, 1971 brought no further press coverage of graffiti.

It was intended not to help familiarize New Yorkers with the writers but to declare war on them. ” They praised Garelik’s “noble concept” of an antigraffiti day but questioned its lasting appeal. Rather than burden the populace with the responsibility for cleaning up graffiti, the Times called upon the city administration to ban the sale of spray paint to minors and thus stop graffiti at its source. 4 Taking his cue from both the Times’s and Garelik’s suggestions, Mayor Lindsay announced his own antigraffiti program in late June.

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