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By Mark Michaels

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Its spectacular success dealt a deathblow to earth-centered cosmology and undermined medieval theology. It also became the paradigm for all enquiries into the nature of man and of human societies. Descartes (1596-1650), Newton’s contemporary, proposed a machinist view of the world. A confirmed dualist, he contended that body and soul were totally distinct, with the body considered morally inferior to the less material, more ethereal mind. His rationalist theory of innate ideas and description of nature in terms of machines and automatism were the dominant philosophy of the eighteenth century.

At the famous “battle of Hernani” on February 25, 1830, longhaired costumed adolescents, with Berlioz among them, took the Theâtre Français by storm to “tonsure the head of Classicism” and cheered Victor Hugo’s “Hernani” on opening night. They announced a cultural revolution. Romantic, literary and social revolts at last joined hands. They had a vision of infinite social improvement. The Revolution of 1830 prompted Victor Hugo, Lamartine and Lammenais to compose hymns to the new spirit of freedom and celebrate the downfall of Absolutism.

She had imbibed the Romantic world vision, for she was educated both in heart and soul by the century in which she lived. Like Liszt, she would ask the same fundamental questions on art, its mission and its deep links with man. Jaëll, Marie, Journal (unpublished) 45 1. Marie Jaëll and Her Century The spirit changes meaning and dimension. Man ceases to obey only the laws of logical mechanism of thought and reason. The most intimate regions of nature are awakened by this nascent sentimentalism, this mystical renewal.

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