By Lawrence A. Babb
What does it suggest to worship beings that one believes are thoroughly detached to, and completely past the succeed in of, any type of worship whatever? How might any such courting with sacred beings have an effect on the spiritual lifetime of a neighborhood? utilizing those questions as his aspect of departure, Lawrence A. Babb explores the ritual tradition of image-worshipping Svetambar Jains of the western Indian states of Gujarat and Rajasthan.Jainism strains its lineages again to the 9th century B.C.E. and is, besides Buddhism, the single surviving instance of India's historic non-Vedic spiritual traditions. it truly is identified and celebrated for its systematic perform of non-violence and for the serious rigor of the asceticism it promotes. a different element of Babb's research is his linking of the Jain culture to the social identification of current Jain communities.Babb concludes by means of displaying that Jain ritual tradition will be obvious as a version on pan-Indian ritual styles. In illuminating this little-known spiritual culture, he demonstrates that divine "absence" might be as wealthy as divine "presence" in its chances for informing a spiritual reaction to the cosmos.
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Extra resources for Absent Lord: Ascetics and Kings in a Jain Ritual Culture (Comparative Studies in Religion and Society)
Worshipers do the same. The Dikkumaris fan the mother and child. Worshipers wave a fan. The Dikkumaris fashion a house from banana trees and bathe the mother and child within. i... ― 74 ― wrist. At this point worshipers place a ceremonial string on the image's lap. On the night of the Lord's birth, says the text, there is brilliance everywhere,  and at the auspicious moment of birth Indra's throne trembles. Wondering what "opportunity" (avsar ) has arisen, Indra learns of the birth by means of his clairvoyant knowledge and is filled with the highest bliss.
The version of the snatra puja performed in Khartar Gacch temples, the variant to be described here, was written by an illustrious Khartar Gacch ascetic named Devcandraji. He is an interesting figure, one of considerably greater renown than Kavindrasagar, the author of Parsvanath's five-kalyanak puja . E. in an Osval family belonging to the Luniya gotra living near Bikaner, and it is said that prior to his birth ― 70 ― his mother had a dream in which she saw sixty-four Indras and other deities performing the janmotsav (birth celebration) of a Tirthankar's image on the summit of Mount Meru.
I... ― 74 ― wrist. At this point worshipers place a ceremonial string on the image's lap. On the night of the Lord's birth, says the text, there is brilliance everywhere,  and at the auspicious moment of birth Indra's throne trembles. Wondering what "opportunity" (avsar ) has arisen, Indra learns of the birth by means of his clairvoyant knowledge and is filled with the highest bliss. To announce the birth he causes a bell to be rung. At this point worshipers ring a bell. Indra then goes to the summit of Mt.